As an architect, artist, and researcher, I employ exhibition-making to explore histories, memories, and systems of representation, viewing exhibitions as environments that create meaning through spatial organization and modes of display. My approach involves continuous, research-driven inquiry that incorporates diverse sources and merges abstract and practical ideas.

With a focus on the impact of memory on spatial perception and developing installations through iterative processes, prioritizing inquiry and dialogue over fixed conclusions. My methodology balances critical and speculative approaches, questioning dominant narratives while addressing institutional realities, aiming to reframe exhibitions as spaces where memory, politics, and spatial interventions converge.